From Film Practice To Data Process: Production Aesthetics And Representational Practices Of A Film Industry In Transition Hardcover 1

Sarah Atkinson

Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals?The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter's 2012 film 'Ginger & Rosa', and drawing upon interviews with international film industry practitioners, 'From Film Practice to Data Process' is a groundbreaking examination of film production in its totality, in a moment of profound change.

9780748693580

English

Edinburgh University Press

43191

288

Elliott Erwitt has been a member of Magnum, the famed photojournalist's cooperative, for almost forty years. His photographs have been published and exhibited extensively on every continent, at such museums as the Smithsonian, the Museum of Modern Art, the Kunsthaus in Zurich, and the Chicago Art Institute. His books include Personal Exposures, On the Beach, and To the Dots. He lives in New York City.

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